The pictures of the small apartment living room decoration renderings 2013, let you be intoxicated at home

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Ma Weidu said an interesting thing in the "Baijia Forum":


There is an advertising company that wants to hire a CEO to advertise in the newspaper and invite "Who will take this chair", but unfortunately, the picture shows a rose chair. Unlike the "cross chair" which symbolizes the status of the top leader, the rose chair has a lower status in ancient times and is the exclusive chair for the lady's boudoir. The advertisement therefore made a joke that "no culture is terrible".



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The rose chair is a short shape (mainly the backrest is relatively short), the armrest and the upper end of the backrest are not pointed out, and the side of the backrest and armrest is perpendicular to the seat drawer.


Why is it called the rose chair? This is an unsolved mystery in the history of Chinese furniture . It may be wrongly written, and the origin of the name is yet to be tested. Therefore, most people speculate from its name, thinking that it is related to the female boudoir furnishings, but there is no final conclusion.



| "Rose Chair" |

 

There are two kinds of statements about the "rose chair".


Statement 1: Take the word "rose" from "jade culture"

 

"Rose" refers to "colored stones" in the Kangxi dictionary, as in "Shuowen":


The beauty of rose and stone; the beauty of rose and pearl.


That is to say, "rose" is the most beautiful in jade, "rose" is the most beautiful in jewelry, and later rose and rose often refer to beautiful jade.

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British collector Frakes old Tibetan beech rose chair part


Statement 2: "Beauty Ghost Chair"

 

In the north, "ghost" can sometimes be described as cute, and this chair is small and handsome, so it is called "beautiful ghost chair".

 

In the ancient northern folk, it was said that the "Beautiful Ghost Chair" (beautiful little chair) was seated by women (especially young ladies) because ancient times were very particular about etiquette.


卡拉蒂 The picture shows a Peugeot rose chair


The height of the backrest of the chair where people of different positions sit is different, and the height of the backrest gradually decreases with the level from high to low.


Women's status is relatively low, so they can only sit on this "beautiful ghost chair" with a low back and a small and light weight.

 

But later, because "beautiful ghost" and "rose" are a bit homophonic, and the word "rose" has an intimate relationship with women, it seems that it can also show women's ingenious beauty and 10,000 styles, so " "Ghost Chair" was later renamed "Rose Chair".


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British collector Frakes old Tibetan beech rose chair

 

Most of the armchairs with low backs in Jiangnan area are used by literati, so they are often called "literary chairs" .


Although the Ming literati improved the armrests of this low-back armchair, they also liked to sit and write and communicate on this chair. But because of its special political and economic status, it is clear that sitting on this armchair with lower backrest does not match its identity.


Therefore, they are more inclined to sit in the Nanguan hat chair with their backs on the left and right and the front of the armrests.


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Late Ming Dynasty Huanghuali Zan back Nanguan hat chair


In order to avoid confusion in the naming, the Nanguan hat chair is called the "wen chair", and the low back armchairs are collectively called the "rose chair".

 

The beautiful name and the mysterious origin of the name make the rose chair the most beautiful and romantic one among the Ming Dynasty furniture.

 


| Heritage Song Style |

 

Although the origin of the name of the rose chair is not recorded, it appeared earlier. A chair similar to this type of chair appeared in the literati paintings of the Song Dynasty, but only a slight change.


For example, "Eighteen Bachelor's Picture " in the Song Dynasty :



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The picture clearly depicts two chairs with the same shape. Their common characteristics are that the armrests are flush with the backrest, and they are relatively low, only reaching the waist of the person, and just enough to support the elbow of the person. On the armrest.

 

This kind of chair appeared repeatedly in the paintings of the Song Dynasty. It can be seen that it was a very popular chair form at that time, and it was still used until the Ming Dynasty. See "The Ancient Picture of Bamboo Garden" by Qiu Ying in the Ming Dynasty:


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Also in the " Eighteen Bachelor Pictures", a chair made of Xiangfei bamboo appeared, which is basically the same as the two chairs in front:


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The backrest, armrests and chair surface are perpendicular to each other, but the backrest is slightly higher than the armrests, and the backboard is added. The design clearly begins to take into account the need for people to rely on the back.

 

The so-called armchairs of the Song Dynasty were small and compact, and were initially pedaled, which was related to the Song people's craving for comfort, so that their feet could be more comfortable. But later, because the pedal is not conducive to moving, and the literati and Mok often communicate with each other, and the pedal also affects the sitting, so the pedal will be from scratch to scratch.

 


| Popular Yu Ming |

| Inheriting Song Style

In the Ming Dynasty, the literati deliberately pursued Jane Yuan ’s elegant and leisurely life, and paid attention to the artistic details of life. These details included every move of the person and every detail of using utensils.



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Collection of Huanghuali Curved Rose Chair Guanfu Museum in the Late Ming Dynasty


The furniture used in daily life requires innovation, practicality, and quaintness, so the armchair of the Song Dynasty was reasonably improved.

 

Lower the armrests on both sides. After the armrests are lowered , the two elbows of the occupant will not feel uncomfortable due to the high height. The rose chair of the Ming Dynasty came out and became popular at the same time.


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Late Ming Dynasty Huanghuali Rose Chair Attacking Yushan Fangzang


The height of the rose seat and the armrest is the same as that of the ordinary chair, and the height of the backrest is lower than that of the ordinary chair, so the height of the backrest and the armrest is almost the same.

 

The furnishings in the living room are flexible and changeable. When decorating by the window sill, the backrest is blocked so that the backrest does not rise above the window edge, so the height of the backrest is between 80-100cm , generally not more than 1m .


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Ming Huang Huali Rose Chair Shanghai Museum Collection

 

The rose chairs of the Ming Dynasty were mostly made of Huanghuali pear, followed by blackwood and iron wood, and generally not using rosewood and mahogany wood.

 

In particular, Huanghuali is as golden as amber, with delicate texture and sparkling beautiful brown eyes, and crystal clear fragrance; the beautiful and extraordinary wood texture of the black and white wood is unique, slender floating, giving people the feeling of bright and shining feathers, unique and interesting.


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Early Qing Dynasty Huanghuali Pine Bamboo Plum Rose Chair

The legs and legs are mostly round legs or square legs. The backrests and armrests are mostly straight logs. The joints of the wooden parts of the armrests, legs and backrests are usually polished and rounded. They are made of a tenon and a tenon joint. "Digging cigarette bags" is called "digging cigarette bags" .


Rose chairs are usually small and light, with elegant and elegant decoration, such as voucher teeth, door, card flowers, openwork, etc., with many styles and unique shapes.


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Voucher


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Embankment


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Openwork backplane

 

Wang Shixiang's "Research on Ming Style Furniture" stated that the rose chair is characterized by a square low back, straight armrests, and side legs. The so-called "short and lean" (low back) , "folded back" ( back height equal to half of the ordinary chair) , is also an important feature of the rose chair.


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Qinghuang Huali Rose Chair


Judging from the number of handed down objects, the Rose Chair is undoubtedly a very popular form of the Ming Dynasty.

 

The rose chair is definitely a low-key element in the classical seat. Unlike the cross chair, circle chair, and official hat chair, it has a great reputation, but compared with the general back chair and the head, it has a slender and beautiful appearance, and it is also the most smart.

 


| Low-key molecule |

 

As one of the more common and distinctive chair types in the Ming Dynasty, the rose chair has a small and chic shape, whether it is placed in the living room, study room or Chadu, it can give people a fresh and elegant feeling.


卡拉蒂 The yellow rose pear chair in the collection of the Max Felax family


In the Ming and Qing paintings, you can see that the rose chairs are often placed on both sides of the table case, opposite each other; or the table case is not used, both are side by side; or they are diagonally facing each other irregularly; the arrangement is flexible.

 

Rose chairs are mostly made of straight materials, which are small in size and are square and delicate in shape. They are very convenient to use in Jiangnan gardens that pay attention to space utilization and one step at a time.


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Rosewood chair with rosewood pattern in Qing Dynasty, this chair is the object of the moral hall (the residence of the concubine in Qing Dynasty)

 

Especially on the pavilion corridor, the rose chair with a small depth can leave the gap to the maximum extent, which is convenient for walking. The low backrest is more suitable for the window, so as not to block the view.

 

Some people think that the low back plate of the Rose Chair is not suitable for relying on, so the sitting feeling is not good. As everyone knows, the low back is not used to rely on, just for the needs of structure and decoration.



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Early Qing Dynasty Huanghuali Pine Bamboo Plum Pattern Rose Chair Backboard

 

In ancient times, everybody's boudoir or Xiaojia Jasper emphasized the training of manners, smiling and smiling, sitting and lying down, and obeying the etiquette.

 

The so-called sitting posture is the basic requirement for ancient women. The sitting posture is elegant and dignified, and the gentle and gentle are the only women who can be successful. The discomfort of the Rose Chair is a reminder of negligence in practice.

 

The ancients integrated the concept of education into the design of furniture, which is not a kind of wisdom of life.


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PS. Literature Reference / "Research on Ming Style Furniture" / "China in Furniture" / "The Origin and Appreciation of Rose Chairs in Ming Dynasty"


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